- – DC-GH5 M2 / Mark 2 / Mark II
- – With Leica 12-60mm lens kit
- – Wireless live streaming capability
- – Cinematic video camera
- – Anamorphic shooting modes
- – V-Log L pre-installed
- – Splash, freeze and dust-resistant Body
- – Micro Four Thirds (MFT) mount camera
- – 20.3MP Live MOS sensor
- – Integrated 5-axis Dual I.S. (Image Stabilizer)
The 20.3-megapixel Digital Live MOS Sensor with AR (Anti-Reflective) coating captures details cleanly and drives excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine. To achieve stable handheld shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion.
A 3.0-inch free-angle LCD with a 3:2 aspect ratio and a high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors.
High-quality live streaming is possible both indoors and outdoors is possible with just the LUMIX GH5 II and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps is supported. For wired live streaming, the dedicated LUMIX Webcam Software is available for free download.
Live streaming to the platforms that comply with RTMP/RTMPS is possible although Compatibility with all the platforms is not guaranteed. There may be cases where live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform.
The LUMIX GH5 M2 features outstanding video performance, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes.
High dynamic range and a broad colour spectrum are capable with V-Log L which is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s onboard video toolkit.
Like the S1H video flagship camera of the S Series, the LUMIX GH5 M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode. In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording.
Tough enough to withstand heavy field use, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles.
A new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording.
With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The red recording frame indicator on the screen and in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming.
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